Artist Name :- National Gallery of Art, Washington
Genre Name :- Visual Arts
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Howardena Pindell on Social Change
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Season 2, Episode 8: Sonia De Los Santos and Auguste Renoir’s “Young Spanish Woman with a Guitar”
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Season 2, Episode 7: Maria Schneider and George Bellows’s “The Lone Tenement”
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Season 2: Episode 6: Delfeayo Marsalis and Hawkins Bolden’s “Untitled”
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John Wilmerding Symposium on American Art and Community Celebration 2022: Afro-Atlantic Histories, Session III: “Blackness is not peripheral to the American project; it is the foundation”
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John Wilmerding Symposium on American Art and Community Celebration 2022: Afro-Atlantic Histories, Session II: “I built this altar for them”: Mining the Archives to Uplift Untold Stories
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John Wilmerding Symposium on American Art and Community Celebration 2022: Afro-Atlantic Histories, Session I: “the afterlife of slavery”
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Season 2, Episode 3: Sa-Roc and Margaret Burroughs’s Sleeping Boy
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Season 2: Episode 5: Peter Sheppard Skærved and Hieronymus Bosch’s “Death and the Miser”
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Season 2, Episode 4: Daniel Ho and Thomas Cole’s Voyage of Life series
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Season 2: Episode 2: Jenny Scheinman and El Greco’s "Laocoön"
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Season 2: Episode 1: Dom Flemons and Marc Chagall’s "Orphée"
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American University’s Feminist Art History Conference 2021: Feminist Issues in Art Museums
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John Wilmerding Symposium on American Art and Community Celebration 2021: Session II: Alma Thomas’s Studio Practice and DC Cultural Institutions
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John Wilmerding Symposium on American Art and Community Celebration 2021: Session III: The Nation’s Capital in the Time of Alma Thomas
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John Wilmerding Symposium on American Art and Community Celebration 2021: Alma W. Thomas: Everything is Beautiful: The Infiniteness of Alma Thomas
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John Wilmerding Symposium on American Art and Community Celebration 2021: Session I: An Evening Celebration of Alma Thomas
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Elson Lecture 2021: Mark Bradford
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Rajiv Vaidya Memorial Lecture 2021: Josephine Baker as a “Rememory” of Global Black Cinema?
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Wyeth Lecture in American Art 2021: Prioritizing Indigenous Communities and Voices: Curating in This Time: Patricia Marroquin Norby, The Metropolitan Museum of Art
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Celeste Headlee and James Van Der Zee’s “Couple, Harlem”
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Sydney J. Freedberg Lecture on Italian Art 2021: “More perfect and excellent than men”
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The National Gallery's New YouTube Channel
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Christian McBride and Roy DeCarava’s “David”
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The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 6: Alienation
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The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 5: Interference
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Daniel Bernard Roumain and "American Gothic"
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Nathalie Joachim and Carrie Mae Weems’s "May Flowers"
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The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 4: Strain
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Bora Yoon and "Ommah"
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The 70th A. W. Mellon Lectures: Contact: Art and the Pull of Print, Part 3: Separation
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Rafiq Bhatia and James Turrell’s "New Light"
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The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 2: Reversal
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Lara Downes and "Tomorrow I May Be Far Away"
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The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 1: Pressure
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Jasiri X and Kerry James Marshall’s "Untitled (Man)"
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Vijay Iyer and I.M. Pei’s "National Gallery of Art, East Building"
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Kamala Sankaram and Mark Rothko’s "Untitled"
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Emily Wells and David Wojnarowicz’s "Untitled (Falling Buffalos)"
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Diamonstein-Spielvogel Lecture Series: Stanley Nelson and Marcia Smith
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"Sound Thoughts on Art" trailer
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Arnold Newman Lecture Series on Photography: Teju Cole and Fazal Sheikh
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“the artifice of justice” A Conversation with Reginald D. Betts, Candice C. Jones, and Richard Ross
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Elson Lecture Series 2020: Mary Kelly
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Rajiv Vaidya Memorial Lecture 2020: Julie Dash and the L.A. Rebellion: Architects of the Impossible
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The Sydney J. Freedberg Lecture on Italian Art 2020: Telling the Past Differently: Italian Renaissance Art in the Hands of the Beholder
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Reflections on the Collection: The Edmond J. Safra Visiting Professors at the National Gallery of Art: David Bomford on Édouard Manet’s The Railway (1873)
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John Wilmerding Symposium 2020, A Tribute to David C. Driskell: Part 6, Artist Conversation
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2020 Summer Lecture Series: Staycation: Modern Masters of the French Riviera
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2020 Summer Lecture Series: Staycation: Milan: A Tale of Two Cities
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Blurred Identities: The Art and Audience of Lynching Photography
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Black Opera as Architecture: A Conversation with Kimberly Drew, Alicia Hall Moran, and Imani Uzuri
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Local to Global: Teaching Critical Thinking through Art—the Gallery’s first Massive Open Online Course
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Reflections on the Collection: The Edmond J. Safra Visiting Professors at the National Gallery of Art: Thomas Kren on Giovanni d’Alemagna’s Saint Apollonia Destroys a Pagan Idol (c. 1442/1445)
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Reflections on the Collection: Cecilia Frosinini on Giotto’s Madonna and Child (c. 1310/1315)
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Remarks on the Dedication of the National Gallery of Art: Charles Evans Hughes
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Remarks on the Dedication of the National Gallery of Art: Samuel H. Kress
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Speech on the Dedication of the National Gallery of Art: Paul Mellon
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Wyeth Lecture in American Art: Art Is an Excuse: Conceptual Strategies, 1968–1983
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Cats in the National Gallery of Art's Permanent Collection
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The Easter Story in Art
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The Problem with Renoir: A Hard Look at the Artist on the Centennial of His Death
April 2, 2020, 11:18 AM
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Coding Our Collection: The National Gallery of Art Datathon
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Degas at the Opéra: Introductory Slide Overview
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Introduction to the Exhibition-Raphael and His Circle
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Raphael and his Circle: Introductory Slide Overview
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Introduction to the Exhibition—Degas at the Opéra
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Painting in the Open Air: A Conversation with Ann Lofquist
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COMPACT ASSEMBLY
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Something, Anything, Everything, Nothing: Ambiguity, Meaning, and Experience
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The Moon in the Age of Photography
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Weather in Art: From Symbol to Science
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A Conversation with Richard Mosse
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Collecting European Landscape Sketches: An Introduction to Open-Air Painting in Europe, 1780–1870
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Introduction to the Exhibition—Verrocchio: Sculptor and Painter of Renaissance Florence
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Photographing the Moon: An Evening with Smithsonian National Air and Space Museum Curators, Part 1—Mapping the Moon with Telescopes
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Photographing the Moon: An Evening with Smithsonian National Air and Space Museum Curators, Part 2—Through Astronaut Eyes
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Photographing the Moon: An Evening with Smithsonian National Air and Space Museum Curators, Part 3—Geology from Orbit: Robots, Cameras, and Photogeology
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Space Still the Place―d.c. space Part II and Its Contemporaries: 1974–1991
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Introduction to the Exhibition—Alonso Berruguete: First Sculptor of Renaissance Spain
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Before the Kodak Girl: Women in Nineteenth-Century Photography
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USCO | nga
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Art and Photography in the Heroic Age of Antarctic Exploration, Part I
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Art and Photography in the Heroic Age of Antarctic Exploration, Part II
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Reflections on the Collection: Marc Fumaroli on Jean Honoré Fragonard’s Landscape Paintings
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The Artist's Sketchbook: A Personal View
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Verrocchio and the Interplay between the Arts
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The Sydney J. Freedberg Lecture on Italian Art: Andrea Mantegna’s Stones, Caves, and Clouds
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Verrocchio’s Medici Tombs: New Observations and Technical Analysis
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Cima da Conegliano and Venetian Landscape Painting
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Collaborations and Investigations in Sound: Alex Braden and Emily Francisco in Conversation
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Executed En Masse: Early Modern Portrait Prints at the National Gallery of Art
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Instructional Videos: Didactic Documentary for the Postmodern Era
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Introduction to the Exhibition—The Touch of Color: Pastels at the National Gallery of Art
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Photography and Nation Building in the Nineteenth Century
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Reflections on the Collection: The Edmond J. Safra Visiting Professors at the National Gallery of Art: Antoinette Le Normand-Romain on Auguste Rodin, The Walking Man (L’Homme qui marche) (model 1878–1900, cast probably 1903)
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The Living Legacy National Speaking Tour: David C. Driskell and Curlee R. Holton in Conversation
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Fifteenth-Century Florentine and Tuscan Sculpture in the National Gallery of Art
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Celebrating the Old Master Collections of the National Gallery of Art: Dutch Art of the Golden Age
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The Role of Libraries in our Cultural Landscape
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